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	<title>Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</title>
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	<title>Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</title>
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		<title>From the Canoe</title>
		<link>https://janicerobertson.ca/uncategorized/from-the-canoe/</link>
		
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		<pubDate>Tue, 14 Apr 2026 16:12:01 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://janicerobertson.ca/uncategorized/from-the-canoe/">From the Canoe</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<p>I put the finishing touches on this piece today. I took the reference photo a couple of summers ago near Tofino. My buddy, Gaye Adams and I were out for a morning canoe paddle when I took this shot. We go every summer to paint and hang out with our good friend Mark Hobson.</p>
<p>Life as a working artist can be a struggle, but man, the lifestyle is amazing. There’s nothing I love more than being with artists that I admire, in a beautiful place in nature. Those moments of connection are so important to me, as painting is usually a very solitary thing to do.</p>
<p>&nbsp;</p>

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</div></div></div></div></div><p>The post <a href="https://janicerobertson.ca/uncategorized/from-the-canoe/">From the Canoe</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Finding Solace in Nature: My Largest Painting Yet</title>
		<link>https://janicerobertson.ca/uncategorized/finding-solace-in-nature/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 17 Mar 2026 15:24:09 +0000</pubDate>
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		<guid isPermaLink="false">https://janicerobertson.ca/?p=1844</guid>

					<description><![CDATA[<p>The post <a href="https://janicerobertson.ca/uncategorized/finding-solace-in-nature/">Finding Solace in Nature: My Largest Painting Yet</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<h2>A Big Canvas, a Bigger Feeling</h2>
<p>This is my most recent painting — and it&#8217;s a big one. At 48 × 48 inches, it took me about three weeks from start to finish. Scale like this is where I feel most alive as a painter. There&#8217;s something about working large that strengthens my work in a way I can&#8217;t quite replicate at a smaller size.</p>
<p>Smaller paintings are actually the harder challenge for me. The large format gives me room to breathe, to move, to let the work evolve naturally without forcing it.</p>
<h2>Letting Go of Control</h2>
<p>With this piece, I made a deliberate choice: I wouldn&#8217;t try to control the style. I let it find its own way. There are areas I left very loose — though they might be hard to spot at first glance, because I know this painting reads as very realistic overall. That tension between the controlled and the free is something I find endlessly fascinating.</p>
<p>If you look closely, you&#8217;ll find those passages where the brush moved freely, where the paint did its own thing. They&#8217;re there — quiet, unhurried, honest.</p>
<h2>Nature as a Place of Refuge</h2>
<p>If there&#8217;s a message running through my art, it&#8217;s this: <em>pay homage to the beauty of nature</em>. Every painting like this one is an act of remembrance. When I look at the finished canvas, I&#8217;m back there — I feel the softness of the breeze, the cool of the water, the shimmer of light filtering through the trees.</p>
<blockquote><p>
&#8220;We all need solace in this uncertain world — and I think nature is where we can find it.&#8221;
</p></blockquote>
<p>That&#8217;s what I want the viewer to feel. Not just to see a landscape, but to be transported — to stand in that light, to hear the water, to exhale. Painting, at its best, is a kind of time travel and a kind of gift.</p>
<h3>What I hope you take away</h3>
<p>Art doesn&#8217;t need to shout to be meaningful. Sometimes the quietest image carries the most weight. I paint nature because I believe in its power to restore us — to remind us that beauty is real, that stillness is available, and that the world, despite everything, is worth paying attention to.</p>
<p>I hope this painting takes you somewhere peaceful. Lord knows we could all use it.</p>

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</div><p>The post <a href="https://janicerobertson.ca/uncategorized/finding-solace-in-nature/">Finding Solace in Nature: My Largest Painting Yet</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Forty Years as a Professional Painter, Artist &#038; Instructor</title>
		<link>https://janicerobertson.ca/uncategorized/forty-years-as-a-professional-painter-artist-instructor/</link>
		
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		<pubDate>Tue, 03 Mar 2026 19:34:50 +0000</pubDate>
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		<guid isPermaLink="false">https://janicerobertson.ca/?p=1840</guid>

					<description><![CDATA[<p>The post <a href="https://janicerobertson.ca/uncategorized/forty-years-as-a-professional-painter-artist-instructor/">Forty Years as a Professional Painter, Artist &#038; Instructor</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<h2 data-start="270" data-end="315">Celebrating 40 Years of Painting Full Time</h2>
<p data-start="317" data-end="369">This year marks my 40th year as a full-time painter.</p>
<p data-start="371" data-end="680">When I pause to calculate what that means, even I’m surprised. If I averaged 40 paintings per year over four decades, that would total approximately 1,600 original works. Today, my pace is different. I now complete about 25 to 30 paintings annually, with a stronger emphasis on refinement, depth, and quality.</p>
<p data-start="682" data-end="964">Over the years, my work as a professional artist has evolved — not only in technique and subject matter, but in intention. Early in my career, painting was about growth and exploration. With time and experience, it has become about clarity, resolution, and raising my own standards.</p>
<p data-start="966" data-end="1106">As both a painter and instructor, I’ve learned that longevity in the arts is built on continual growth. Forty years in, I am still learning.</p>
<h2 data-start="1113" data-end="1158">Why Artists Should Keep a Special Painting</h2>
<p data-start="1160" data-end="1339">There are a few of my original paintings hanging in my home. Most stayed with me because they didn’t sell through galleries, though I still value them. But one piece stands apart.</p>
<p data-start="1341" data-end="1549">It’s a large 4&#8242; x 4&#8242; painting hanging in my dining room. It has never been offered for sale. I love the image, and I am completely satisfied with how I painted it — something rare for any professional artist.</p>
<p data-start="1551" data-end="1838">I believe it’s important for a painter to occasionally keep back a significant work. Not out of attachment, but as a benchmark. When creative doubt appears — and it inevitably does — that painting becomes a quiet reminder of what is possible. It sets the bar for everything that follows.</p>
<p data-start="1840" data-end="2030">Originally, I thought I would hold onto this painting temporarily before eventually placing it in a gallery. That was more than ten years ago. It remains exactly where it began — on my wall.</p>
<h2 data-start="2037" data-end="2086">Continuing to Grow as an Artist and Instructor</h2>
<p data-start="2088" data-end="2228">After forty years as a working painter and art instructor, my focus is no longer on producing more work. It’s about producing stronger work.</p>
<p data-start="2230" data-end="2302">Fewer paintings each year. More intentional decisions. Higher standards.</p>
<p data-start="2304" data-end="2569">There is currently another 4&#8242; square canvas on my easel. It is about halfway finished and developing well. Large-scale paintings demand conviction and confidence. Whether it ends up in a collector’s home, a gallery, or on my own dining room wall remains to be seen.</p>
<p data-start="2571" data-end="2667">What matters most is that I continue to grow — as a painter, as an artist, and as an instructor.</p>
<p data-start="2669" data-end="2714">Forty years in, I am still refining my craft.</p>
<p data-start="2716" data-end="2778">And that feels like the right way to celebrate this milestone.</p>

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</div><p>The post <a href="https://janicerobertson.ca/uncategorized/forty-years-as-a-professional-painter-artist-instructor/">Forty Years as a Professional Painter, Artist &#038; Instructor</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Moving Through a Painting Block</title>
		<link>https://janicerobertson.ca/uncategorized/moving-through-a-painting-block/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 09 Feb 2026 22:14:38 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://janicerobertson.ca/uncategorized/moving-through-a-painting-block/">Moving Through a Painting Block</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<h2 data-start="315" data-end="405">This winter, I experienced something that rarely happens to me — a genuine painting block.</h2>
<p data-start="407" data-end="481">I felt directionless. Unmotivated. Dissatisfied with everything I started.</p>
<p data-start="483" data-end="671">It’s unusual for me to abandon a painting before it’s finished. I usually push through, even when things get uncomfortable. But this time? <strong>I walked away from four paintings in a row. Four.</strong></p>
<p data-start="673" data-end="801">My knee-jerk reaction was dramatic: <em data-start="709" data-end="745">Clearly I need to reinvent myself.</em><br data-start="745" data-end="748" />A new style. New subject matter. A complete overhaul.</p>
<p data-start="803" data-end="940">But after sitting with it (and feeling slightly sorry for myself for a bit), I realized something much simpler — and much more grounding.</p>
<p data-start="942" data-end="1043">I don’t need to become someone else.<br data-start="978" data-end="981" />I just need to keep being me… perhaps with a few small shifts.</p>
<p data-start="1045" data-end="1285">It still amazes me that after all these years of painting, I can land in this place. But the truth is, I’m not alone. Nearly every painter friend I’ve spoken to has experienced some version of this. Creative droughts are part of the rhythm.</p>
<p data-start="1287" data-end="1350">So instead of fighting it, I decided to gently move through it.</p>
<p data-start="1352" data-end="1424">Here are a few things that helped get the creative energy flowing again:</p>
<h3 data-start="1431" data-end="1451">1. Gesso-ing Out</h3>
<p data-start="1453" data-end="1471">This felt radical.</p>
<p data-start="1473" data-end="1658">I had a number of older paintings that were “okay” but hadn’t sold during their time in galleries. Some I had held onto for years. They weren’t bad… but they weren’t quite right either.</p>
<p data-start="1660" data-end="1733">One afternoon, I made a bold decision and started covering them in gesso.</p>
<p data-start="1735" data-end="1754">Every. Single. One.</p>
<p data-start="1756" data-end="2005">At first it felt shocking. But once I got going, the sense of lightness was tremendous. It was as if I had cleared physical and emotional space at the same time. Some of the canvases will be reborn as new paintings. Others have been let go entirely.</p>
<p data-start="2007" data-end="2065">There is something incredibly freeing about starting over.</p>
<h3 data-start="2072" data-end="2097">2. Colour Experiments</h3>
<p data-start="2099" data-end="2264">I spent time making colour swatches — especially exploring new recipes for greens. Since I paint a lot of landscapes, greens are essential… and surprisingly complex.</p>
<p data-start="2266" data-end="2419">Mixing without pressure, without the expectation of a finished painting, reminded me why I love paint in the first place. Just pigment. Just possibility.</p>
<h3 data-start="2426" data-end="2448">3. A Gallery Crawl</h3>
<p data-start="2450" data-end="2540">I visited several of our major local galleries to see what artists are creating right now.</p>
<p data-start="2542" data-end="2573">Not to compare. Not to compete.</p>
<p data-start="2575" data-end="2732">Simply to look. To absorb. To remember that art is alive and constantly evolving. Seeing other artists pushing in their own directions was deeply energizing.</p>
<h3 data-start="2739" data-end="2774">4. Gathering New Subject Matter</h3>
<p data-start="2776" data-end="2840">Finally, I went on a few day trips to collect fresh inspiration.</p>
<p data-start="2842" data-end="3005">My favourite was a sunny snowshoe outing on one of our local mountains. The light on the snow, the crisp air, the quiet — it felt expansive. Exactly what I needed.</p>
<p data-start="3007" data-end="3086">The first painting inspired by that day will be featured in my next blog entry.</p>
<p data-start="3093" data-end="3251">Creative blocks can feel heavy when you’re inside them. But sometimes they are simply signals — invitations to clear space, to experiment, to refill the well.</p>
<p data-start="3253" data-end="3397">If you’ve been feeling stuck in your own creative work (or any work at all), I hope this encourages you. Sometimes the answer isn’t reinvention.</p>
<p data-start="3399" data-end="3464">Sometimes it’s just a small shift… and the courage to keep going.</p>

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</div><p>The post <a href="https://janicerobertson.ca/uncategorized/moving-through-a-painting-block/">Moving Through a Painting Block</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Welcome to My Studio — Where Every Painting Begins</title>
		<link>https://janicerobertson.ca/uncategorized/welcome-to-my-studio-where-every-painting-begins/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 02 Feb 2026 19:30:42 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://janicerobertson.ca/uncategorized/welcome-to-my-studio-where-every-painting-begins/">Welcome to My Studio — Where Every Painting Begins</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<h2 data-start="902" data-end="962">There’s something special about seeing where art is created.</h2>
<p data-start="964" data-end="1146">Not the finished piece hanging on a wall… but the brushes, the paint, the half-finished canvases, the colour tests, the quiet corners, and the beautiful chaos where creativity lives.</p>
<p data-start="1148" data-end="1298">I wanted to share a tour of my studio because this is where every painting begins. This is the space where ideas turn into texture, colour, and story.</p>
<p data-start="1300" data-end="1394">When you walk through my studio, you’re seeing more than supplies and canvases. You’re seeing:</p>
<ul data-start="1396" data-end="1541">
<li data-start="1396" data-end="1415">
<p data-start="1398" data-end="1415">Works in progress</p>
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<li data-start="1416" data-end="1448">
<p data-start="1418" data-end="1448">Experiments in colour and form</p>
</li>
<li data-start="1449" data-end="1502">
<p data-start="1451" data-end="1502">Layers that may never be visible in the final piece</p>
</li>
<li data-start="1503" data-end="1541">
<p data-start="1505" data-end="1541">The real, everyday life of a painter</p>
</li>
</ul>
<p data-start="1543" data-end="1743">People often ask me how a painting starts. The truth is, it rarely starts with a plan. It starts with a feeling, a colour combination, or simply the desire to put brush to canvas and see what happens.</p>
<p data-start="1745" data-end="1779">This studio is where that happens.</p>
<p data-start="1781" data-end="1870">It’s quiet here. Peaceful. Focused. And filled with inspiration from the works around me.</p>
<p data-start="1872" data-end="1986">Every painting that leaves this room has lived here first — surrounded by light, paint, and many thoughtful hours.</p>
<p data-start="1988" data-end="2123">I’m excited to be relaunching and sharing more of this creative process with you. Not just the finished art, but the journey behind it.</p>
<p data-start="2125" data-end="2171">Thank you for stepping into my studio with me.</p>
<p data-start="2173" data-end="2214">I can’t wait to share what’s coming next.</p>
<p data-start="2173" data-end="2214">Sincerely,</p>
<p data-start="2173" data-end="2214">Janice</p>

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</div><p>The post <a href="https://janicerobertson.ca/uncategorized/welcome-to-my-studio-where-every-painting-begins/">Welcome to My Studio — Where Every Painting Begins</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Welcome to 2026!</title>
		<link>https://janicerobertson.ca/uncategorized/1811/</link>
		
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		<pubDate>Mon, 02 Feb 2026 18:36:43 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://janicerobertson.ca/uncategorized/1811/">Welcome to 2026!</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<p>If you just discovered this blog, welcome! It’s been years since i posted, but lately I feel the urge to reach out and connect with other artists more often.</p>
<p>A quick bit about me: As of 2026, I’ve been painting and teaching for 40 years. I sell my work through commercial galleries, and teach and do demos regularly. My inspiration is largely about the natural beauty of west coast landscapes, still life, and a little bit of everything else thrown in.</p>
<p>Through this blog I will show recent paintings, talk about techniques and process and share some philosophical musings.</p>
<p>The next blog will focus on ways to get going after a slump. I have a pattern of finding January to be a month of discontent for me- I want to start all over and do everything differently., ie, better.  Experience has shown me that that is not always a good place to start- kind of like throwing the baby out with the bathwater.</p>
<p>Talk to you soon</p>
<p>Janice</p>

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</div><p>The post <a href="https://janicerobertson.ca/uncategorized/1811/">Welcome to 2026!</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Blackberry Tangle</title>
		<link>https://janicerobertson.ca/uncategorized/blackberry-tangle/</link>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 23 Sep 2018 20:07:28 +0000</pubDate>
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		<guid isPermaLink="false">http://janicerobertson.ca/?p=1446</guid>

					<description><![CDATA[<p>I seem to be drawn to the most complicated subjects these days. The challenge is to  not paint every detail but to make it look like I did. This painting involved a lot of painting areas carefully and then messing them up.  &#8220;stay messy&#8221;- that&#8217;s the goal!</p>
<p>The post <a href="https://janicerobertson.ca/uncategorized/blackberry-tangle/">Blackberry Tangle</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>I seem to be drawn to the most complicated subjects these days. The challenge is to  not paint every detail but to make it look like I did. This painting involved a lot of painting areas carefully and then messing them up.  &#8220;stay messy&#8221;- that&#8217;s the goal!</p>
<p>The post <a href="https://janicerobertson.ca/uncategorized/blackberry-tangle/">Blackberry Tangle</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>Italian Scene</title>
		<link>https://janicerobertson.ca/uncategorized/italian-scene/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 05 Sep 2018 21:26:24 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">http://janicerobertson.ca/jj/?p=1332</guid>

					<description><![CDATA[<p>This painting was close to finished for a week and I lost momentum on it. It just didn&#8217;t feel compelling to me. I usually paint landscapes of familiar places and this image was from a trip to Italy that I took about 5 years ago. In the photo, the foreground was very dark and I [&#8230;]</p>
<p>The post <a href="https://janicerobertson.ca/uncategorized/italian-scene/">Italian Scene</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div>This painting was close to finished for a week and I lost momentum on it. It just didn&#8217;t feel compelling to me. I usually paint landscapes of familiar places and this image was from a trip to Italy that I took about 5 years ago.</div>
<div></div>
<div>In the photo, the foreground was very dark and I lightened it up considerably. Yesterday, I got the notion to glaze the foreground with black and let the light sit in the sky and distant fields.Then I glazed the clouds with very dilute layers of quin red and hansa yellow. It made a huge difference and suddenly I&#8217;m happy with the painting.</div>
<p>The post <a href="https://janicerobertson.ca/uncategorized/italian-scene/">Italian Scene</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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		<title>More Flowers</title>
		<link>https://janicerobertson.ca/uncategorized/1226/</link>
					<comments>https://janicerobertson.ca/uncategorized/1226/#comments</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 05 Sep 2018 18:34:11 +0000</pubDate>
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		<guid isPermaLink="false">http://janicerobertson.ca/jj/?p=1226</guid>

					<description><![CDATA[<p>I&#8217;m working my way up to some larger loose florals. The white one is 24 x 30 and the yellow one is 24 x 36. I tried a 36 x 36 floral &#8211; worked really hard on it and could not make it work. Right now I&#8217;m getting about 50% success. It&#8217;s a new approach [&#8230;]</p>
<p>The post <a href="https://janicerobertson.ca/uncategorized/1226/">More Flowers</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>I&#8217;m working my way up to some larger loose florals. The white one is 24 x 30 and the yellow one is 24 x 36. I tried a 36 x 36 floral &#8211; worked really hard on it and could not make it work. Right now I&#8217;m getting about 50% success. It&#8217;s a new approach in that I&#8217;m letting go of control in a way that I never have before. Exciting and nerve wracking at the same time.</p>
<p>I&#8217;d like to incorporate more of this approach in my landscapes.Will see where that leads. Right now I&#8217;m longing for colour so the florals are chance to indulge that.</p>
<p><img fetchpriority="high" decoding="async" class="size-medium wp-image-1228 alignnone" src="http://janicerobertson.ca/wp-content/uploads/2018/09/image1-300x192.jpeg" alt="Janice Robertson, Flowers" width="300" height="192" srcset="https://janicerobertson.ca/wp-content/uploads/2018/09/image1-300x192.jpeg 300w, https://janicerobertson.ca/wp-content/uploads/2018/09/image1-768x491.jpeg 768w, https://janicerobertson.ca/wp-content/uploads/2018/09/image1-1024x655.jpeg 1024w, https://janicerobertson.ca/wp-content/uploads/2018/09/image1.jpeg 1600w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<p>The post <a href="https://janicerobertson.ca/uncategorized/1226/">More Flowers</a> appeared first on <a href="https://janicerobertson.ca">Janice Robertson | Canadian Landscape Artist, Watercolor, Acrylic, Oil, Paintings</a>.</p>
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			<slash:comments>1</slash:comments>
		
		
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